WhAt Do yOu KnoW ThAt YoU dOn't WANT to kNoW?

Every time I meet an author I love, I feel I am touching fingertips with possibility. However silly I know it to be, there is a part of me that imagines there is this little book factory- a thousand story purple castle with hobgoblins writing on the pointiest steeples beneath glimmery moonlight, sitting in windowsills scurrying their pens across the page without need to pause, or maybe curled up under porticoes where all they do all day and night long are create books. Other times I want to believe that maybe they are written by fantastical beings in red and yellow polka dotted jumpsuits lying on their backs in shiny red huts beside the Mediterranean Sea, and whom are nothing like me or my fellow human beings, or even maybe produced by some fantastical contraption that pops out books like tennis balls that we know nothing about in some distant nook of the planet. I continue to be amazed each and every time I walk through a bookstore that each and every book was written by someone probably not half as different from me as I tend to assume.
This weekend I attended an amazing workshop led by one of my favorite writers, Geneen Roth. Geneen casually mentioned to the audience that her most recent book took her four years to write. This book, which felt so effortlessly flowing to me, actually didn't flow so effortlessly for its creator. I can read Megg's words on how it took her twelve years to finish her first book or see firsthand my best friend, Laini, and how she labored morning after morning to complete hers as well. Despite reading enough times how hard other writers really do struggle to map plots or catch the right words in their butterfly nets, something in me still doesn't want to believe it. Hmm....
"Never underestimate the inclination to bolt," Pema Chodron once said. I am feeling this inclination 99% of the time I sit down to write, and yet I write because as I scribbled in my journal this weekend, "Its this simple. When I write, I want to live. When I don't write, I don't want to live." What is it about the process of writing that is so vital? so essential to the fabric of who we are that it feels every bit as necessary as breathing in air or drinking water? Often times I know I have felt with clients that talk therapy can likely only take us so far. There are parts of ourselves that we can't access through talking alone, and this is where writing can come in. We discover things about ourselves and one another through writing that we might never learn otherwise.
One of the things Geneen asked this weekend was, "What do you know that you don't want to know?" This question was a painful one to answer. As for what I know that I don't want to know, as it applies to writing and sitting with my current project, I know that I don't want it to be even a quarter as hard as it is, and when I hear it in fact is every bit as excrutiatingly stressful for other writers I cherish so, I cling to believing otherwise. They're just saying that!", part of me seems to want to believe. What I know that I don't want to know is that this belief isn't about laziness. Rather, holding on to long proven false beliefs is about not giving myself a chance, or as Rumi wrote, not "giving my throat a chance to sing its song."
This morning I wrote out in pink and orange crayons one of my favorite quotes by Martha Graham. I taped it to my lamp. You may already know it as its often cited. It goes like this:
So, I'm curious...What is it you know that you don't want to know?




